Archive for the ‘Packaging Design’ Category

The Girl with the Dragon Tattoo Packaging Confuses Consumers

Monday, March 26th, 2012

Designer David Fincher’s DVD design for “The Girl With the Dragon Tattoo” has proven confusing to many to-be movie renters and watchers of the highly anticipated movie. Since its release date (March 20th, 2012), those who purchased the movie believed that they had received a pirated copy of the film.

Girl with the Dragon Tattoo 300x187 The Girl with the Dragon Tattoo Packaging Confuses Consumers

The packaging design was purely intentional and has the film’s title written in what looks to be black marker on what looks like a blank disc, all mart of Sony’s marketing plan. The packaging reflects the overall theme of the movie which features the protagonist character as a hacker.

Although clever, the packaging has created a headache for distribution companies such as Redbox and Amazon and other media distributors. Redbox had to issue a warning online to its renters stating “RENTERS: The handwritten look on the disc of this movie is legitimate and is intended to look like a burned DVD.” Amazon had to put a disclaimer on its website saying “It has come to our attention that there has been some confusion on the DVD disc art as it appears to look like a bootlegged copy. Please note that the disc art is in fact the final approved disc art provided to us by the filmmakers.”

Midwest Tape, a media distributor that works with public libraries, issued this warning about the design on its blog: “This is the authentic DVD direct from Sony Pictures. Sony designed the DVD and its packaging to reflect the theme of the movie and its popular hacker protagonist, Lisbeth Salander.”

A commenter on the Midwest Tape’s site confirmed that Redbox’s warning is necessary: “i ALMOST had a fit and returned this to Redbox… thanks for the post.”

Hollywood has played around with DVD packaging design before, but this time it may serve as a lesson in packaging. As stressed before, packaging is not only about decoration and marketing methods, but another purpose is to generate product awareness.

So what do you think? Was this a smart marketing move or a packaging misstep?

Package Design: CBC Collection from Chesapeake Bay Candle

Friday, March 23rd, 2012

Chesapeake Bay is well known for its collection of candles and diffusers that boast unique scents. In their recent collection, the company continues to offer unique scents inspired by Maryland’s shoreline. The packaging of the product draws upon the scents inspired by the shoreline with images and colors recognizable to the area.

SUNPACK CBC Collection 300x175 Package Design: CBC Collection from Chesapeake Bay Candle

 “We decided to use black and white photos with a transparency feel to strip the image back to its basics, to communicate a clean, elegant feel. The black and white photo brings that special twist to the collection. It is the main focus. When working on packaging for a new fragrance, getting to know the fragrance and its notes is my first and the most important step. The imagery we chose needs to communicate the character of the scent. I want the consumer to almost smell a fragrance just by looking at the packaging.” — Designer Corina Heymann

About The CBC Collection:

The CBC Collection evokes a lifestyle of complete clarity and awareness as nature’s finest fragrances soothe your senses and bring you serenity Chesapeake Bay Candle, the candle and home fragrance brand synonymous with stylish design and unique, nature-inspired fragrances readies The CBC Collection for Spring/Summer 2011.

Despite transformations over the years, Chesapeake Bay Candle continually draws inspiration from the serene beauty of Maryland’s idyllic shoreline, home of the Chesapeake Bay. Reflecting the brand’s heritage, The CBC Collection evokes a lifestyle of complete clarity and awareness as nature’s finest fragrances soothe your senses and bring you quintessential serenity.

“It was nature, alone, that inspired our brand’s name more than sixteen years ago in the form of Maryland’s idyllic shoreline. What better way to pay homage to the pristine purity of the Chesapeake Bay than to develop a new collection celebrating its finest fragrances, textures and colors?” said Mei Xu, Creator & President of Chesapeake Bay Candle.

“Our contemporary botanical blends and fresh, transparent notes infuse a room with aromas so sheer they will enhance your atmosphere—rather than overwhelm and overpower. Evoking a lifestyle of complete clarity and awareness with such a simplistic approach, this type of transparency is sure to change more than just home fragrance and décor.”

With a new soft-finish glass technique, the fluidity of each vessel is mesmerizing not only to the eye, but also to the touch. Designed in a natural, décor-friendly palette with a bold touch for the daring decorator, these home fragrance solutions allow your personality to shine through.  Simply look to the pillar candles offered in a vast variety of sizes, and note the new translucent, iced finish in the hand-poured wax.

Simple and serene, botanical and aquatic elements of nature dance across the packaging of The CBC Collection. Colorful splashes of watercolor layered over clean lines of sheer, photo-reel images serve as a segue to the invigorating product within, as each glimpse of nature featured embodies the aroma inside.

The sophisticated, multi-note scents of The CBC Collection are designed to represent the various fragrance families – offering something for every taste and every fragrance personality. As with all Chesapeake Bay Candle collections, each fragrance is skillfully enhanced with essential aroma oils.

Source: The Dieline

 

 

S’Monsters: Packaging that takes the Hassle out of Eating Smores

Wednesday, March 21st, 2012

SUNPACK Smores large SMonsters: Packaging that takes the Hassle out of Eating Smores

Students take sitting around the campfire and eating s’mores to a whole new level with this innovative packaging design made to simplify your s’more eating experience. They call it… S’monsters by Nabisco. The idea for the packaging design comes from graphic design student, Preston Grubbs, of Portfolio Center in Atlanta, Georgia.

“S’Monsters takes the hassle out of eating s’mores and adds some entertainment as well. Each of the ingredients is packaged in three separate containers within a single package to make 8 s’mores. The ingredients are ready to go right out of the box, so all you have to do is roast, stack and enjoy. No more wasteful packaging or having to break the graham cracker or chocolate, each of the ingredients are easily mangeable and ready to go. When you’re done making the s’mores, the box can serve as a hand puppet while you tell your mad lib ghost story, which is on the inside back panel of each S’Monster” (Dieline).

SUNPACK SMonsters 4 web 300x200 SMonsters: Packaging that takes the Hassle out of Eating Smores

Grubbs states on his personal design portfolio webpage:

“S’Monsters. Making s’mores often brings back memories of my boy scout days. We would sit around the campfire, drop a few flaming marshmallows in the dirt and tell stories while we all tried to act cool rather than scared. My team decided to take inspiration from campfire stories and bring that nostalgia into our packaging. We created 3 different characters who would represent different flavors of s’mores: Classic, Mint and Strawberry. Each character has their own unique attributes and personality.

In addition to the fun characters, we looked at how s’mores ingredients are currently packaged. The ingredients are all different sizes, have bulky, wasteful packaging and are a burden to pack for a quick camping trip. S’Monsters makes it easy. The ingredients are ready to roast, stack and enjoy.”

The design team and credit includes: Preston Gibbs , Erica Hines, Andy Stewart, Caitlin Dupree, Zach Rossman, Jessica Ruiz

SUNPACK SMonsters 1 web 300x200 SMonsters: Packaging that takes the Hassle out of Eating Smores

Source: Preston Grubbs, The Dieline

Pouch Packaging for Food on the Rise

Monday, March 12th, 2012

PACKAGING ketchup 244x300 Pouch Packaging for Food on the Rise

For as long as we can remember, ketchup has always come in some sort of bottle, either plastic or glass. Unless you were getting the small pouches of ketchup at a fast-food restaurant, we didn’t really see large quantities of ketchup available in a large pouch. It now seems like packaged food makers are starting to become increasingly partial to pouches.

For about five years or, pouches have been prominent in Europe and Central and South America and are not just beginning to make their way to the US. Lynn Bomblaser, director of consumer packaged goods insights at Mintel said that the reason for the United States just adapting to pouches is because the United States is notoriously slow in adapting to the latest packaging trends.

Kitchen household names from Campbell Soup Co. and H.J. Heinz Co. will be joining other consumer products in pouches this year. The emerging trend saves money on packaging, manufacturers can cut their packaging costs from about 10 to 15 percent by using a pouch, and shipping while providing aesthetics. Marketers say that an upscale pouch offers a modern look with great appeal.

Improving technology has a great deal to do with why pouches are emerging as a trend in packaging, editorial director of Packaging Digest said. With the improvement in technology, the average shelf life has doubled from say one or two years ago.

Since 2007, the overall pouch use in consumer products has increased about 37 percent, especially for snack pouches.

Campbell’s is even getting in on the pouch trend. Officials at Campbell’s say that their first goal is to support its iconic can, but they are also looking to baby boomers’ children as they begin to set up their own households.

“We want to fire some bullets and if they become cannonballs, we’ll put our money down,” said Campbell’s CEO Denise Morrison. “It’s a different approach for us, but we’re going to listen to consumers, we’re going to develop the products that they want, but then they need to buy them.”

Charles Villa, vice president of the consumer and customer insights department for Campbell’s USA stated,

“They see the pouch as a very contemporary packaging alternative and they relate that packaging to a better quality experience coming from the food that’s in (it),” Villa said, adding that they expect “a better quality experience for the food” and even a “fresher” product.

H.J. Heinz Co is using a flexible pouch to introduce a smaller size of its namesake ketchup. With a squeezable pouch and nozzle, the 10-ounce product will sell for 99 cents, compared with $1.99 for a 20-ounce bottle.

The typical shopper in a developed market like the U.S., said CEO William R. Johnson, “is now intensely focused on value,” adding that buying decisions are based more on price “and less about product design.”

 

Pére Juice Uses Play on Words in Packaging and Product

Monday, March 5th, 2012

PACKAGING Pear1 Pére Juice Uses Play on Words in Packaging and Product

Pére is an exotic, all natural juice product.

In French, the word Pére means father, which is exactly who the client wanted to base his 100% all natural pear juice after. The name of the product uses a great play on words to depict just what the product itself is, while the custom packaging of the product replicates the shape of a pear. The drink comes in three different flavors, Pearberry, Original, and Pearango.

“The client named his company Pére based off his father who hand-made pear juice for the client when he had a severe fever as a boy. The natural juice of the pear is good in relieving fever because of its cooling effect, so the client wanted to endeavor his future business by making a juice product that is completely 100% all natural pear juice to share with the world. The logo symbolizes the process of the pear as its converted into juice, and the use of the pears peel in the production of this drink. The bottle was meant to follow the organic shape of the pear, emphasizing its true root to keeping the integrity of the all-natural product. “

PACKAGING Pear2 Pére Juice Uses Play on Words in Packaging and Product

Source: The Dieline

Designer: Craig Pinto

Budweiser Packaging Lets Consumers “Track Your Bud”

Friday, March 2nd, 2012

In 2012 we have been seeing more digital campaigns than ever, as was predicted in our earlier blogs this year (Mobile Marketing Trends to Look for in 2012), and the new Budweiser campaign is no exception. In the new campaign Budweiser hopes to interact with their consumers digitally and bring them to the inside world of Budweiser.

PACKAGING Track Your bud 300x225 Budweiser Packaging Lets Consumers Track Your Bud

Budweiser, the iconic global beer brand, launched its “Track Your Bud,” digital campaign that is integrated with packaging with a QR code that will allow consumers to trace the origins of the beer they hold in their hands to one of Budweiser’s 12 U.S. breweries.

Consumers can use their Smartphone to scan the QR code on the packaging, which leads them to the downloading of the “Track Your Bud” app or they can visit TrackYourBud.com. From there, consumers can enter the Born On Date found on the bottles and cans that will take them on a guided tour of the making of their individual beer by the Budweiser location responsible for it.

The content on “Track Your Bud” app will provide beer drinkers with visibility into the source and selection of ingredients, Budweiser’s seven-step brewing process, when their beer began Beechwood aging and which brewmaster tasted it multiple times throughout its brew cycle to ensure their beer meets Budweiser’s high quality standard.

“People respect Budweiser for its heritage, full flavor and legendary consistency,” said Rob McCarthy, vice president, Budweiser.  “Budweiser has a great story, and we want to tell it in a new way that demonstrates the pride, passion and craftsmanship at our breweries that’s been the backbone of Budweiser for generations.”

The application is also now available on iTunes and will be on Android Market later this week. The social application allows consumers to connect via Facebook to connect beer drinkers from across the country through their Budweiser drinks as well as offering them access to exclusive video content.

“Track Your Bud” will showcase Budweiser’s state-of-the-art breweries other than the well-known location in St. Louis. Other breweries to be showcased include Merrimack, N.H.; Baldwinsville, N.Y.; Newark, N.J.; Williamsburg, Va.; Cartersville, Ga.; Jacksonville, Fla.; Columbus, Ohio; Houston, Texas; Fort Collins, Colo.; Fairfield, Calif.; and Los Angeles, Calif.

“There are a lot of great people behind every bottle of Budweiser, and ‘Track Your Bud’ gives our consumers a way to meet our brewmasters and see firsthand how passionate they are about making great beer,” said Jane Killebrew-Galeski, director of brewing, quality and innovation for Anheuser-Busch. “Because great beer starts with great ingredients, Track Your Bud also gives consumers insight into where Budweiser’s raw materials come from – which includes barley farms in Idaho, Montana, North Dakota, Minnesota and Wisconsin; and hop farms in Idaho, Washington, Oregon and Germany.”

“There’s a lot of attention to detail that goes into making Budweiser,” McCarthy said. “Track Your Bud gives consumers transparency into how and where the beer is made and the brewmasters responsible for it all. Budweiser is a national brand, obviously, but our geographically diverse network of breweries and agricultural facilities also make us a local beer in so many places all across America, thanks to the people who make our beer and grow the ingredients. Track Your Bud highlights some of those people.”

For more information about the new Budweiser “Track Your Bud” program, check out www.TrackYourBud.com or download the app.

ALSO, have you seen the Budweiser Super Bowl commercial that aired in Canada? If not, I would recommend watching it below:

 

 

Help Remedies Joins the Fight to Save Lives through Packaging

Thursday, March 1st, 2012

I was recently introduced to the quirky brand, Help Remedies. The brand offers drug remedies in a creative packaging with products that promote less, that is, less drugs, less dyes, and less confusion. The packaging is easy to understand and helps point the consumer to exactly what they need. See for yourself:

PACKAGING help I cut myself1 Help Remedies Joins the Fight to Save Lives through Packaging

PACKAGING help I have a stuffy nose Help Remedies Joins the Fight to Save Lives through Packaging

Recently Help Remedies announced the launch of help I’ve cut myself & I want to save a life, which is an extension of the help I’ve cut my self bandages. The products which includes standard adhesive bandages will now include a bone marrow donor registry kit and the packaging features the partnership. By linking registry to a simple action, Help hopes to break down barriers that prevent donation and provide matches for some of the 10,000 people who in the U.S. who are in need of bone marrow transplants each year.

Help products generally targets only minor ailments such as stuffy noses and headaches, but in this case the company decided that they want to be a part of something larger. Richard Fine, Help CEO, explains,

“Each year thousands of people with leukemia and other blood cancers need a bone marrow transplant to live, yet fewer than half receive one. This is a simple and smart idea: By making registration apart of what people are already doing, we think we can get more people to register, and in doing so, help save lives.”

Help has partnered with DKMS, the world’s largest bone marrow donor center, to process help I want to save a life kits. Using the kits is simple, each contains sterile swabs and a postage paid envelope. The potential donor just needs to swab the blood from their cut and mail the swab off to DKMS to begin the registration process for becoming a donor.

The idea behind help I want to save a life originated in a class led by advertising creative Graham Douglas, who had his own personal experiences with the cause when his own brother received a life-saving bone marrow transplant. With his students, they came up with the idea to include blood swab registry kits inside packets of adhesive bandages. Douglas got in touch with help who saw the idea’s potential. There they developed the kit and worked with DKMS to establish the help I’ve cut myself & I want to save a life program. The kit will be distributed to attendees of the TED 2012: Full Spectrum conference, and will be available as of Monday, February 27, for purchase on Fab.com and Help’s site, helpineedhelp.com, with other retailers to follow.

“Hopefully you will not have a cut, but if you do, maybe you will think about joining the registry yourself,” says Nathan Frank, Help Co-Founder and Creative Director. “Even without a cut, you can still register at www.getswabbed.org.””

Below is quirky advertising campaign that Help created to promote awareness for help I’ve cut myself & I want to save a life:

 

 

Barq’s Root Beer Introduces First Package Redesign in Twenty Years

Wednesday, February 22nd, 2012

By staying classic, Barq’s redesigned their packaging to stick true to their roots.

Twenty years in the making, Barq’s Root Beer announces that they are redesigning their classic look. Barq’s root beer is unveiling a completely new look to pay homage to the brand’s Gulf Coast heritage and classically crisp, bold flavor. The new design will be featured on all of Barq’s packaging and is currently being distributed nationwide.

The packaging still features the brand’s signature slogan “It’s Good. Since 1898,” but has made a few new changes. The cans have maintained their silver color, but the new look will feature a diamond patter that mimics the drink’s original 1898 12-ounce glass bottle packaging, which consumers can still purchase on the Gulf Coast.

“When a beverage as beloved as Barq’s undergoes a significant packaging evolution, we have to remain true to the brand’s heritage and tradition while ensuring the brand is relevant to today’s consumers,” said Christina Manganaro, senior marketing activation manager for Coca-Cola North America.

Founded on the Gulf Coast 114 years ago, Barq’s traces its heritage back to New Orleans and to Biloxi, Mississippi, where the beverage was founded and first produced by Biloxi Artesian Bottling Works. The brand was purchased by The Coca-Cola Company in 1995.

After 300x151 Barqs Root Beer Introduces First Package Redesign in Twenty Years

After

images Barqs Root Beer Introduces First Package Redesign in Twenty Years

Before

Plain Cigarette Packaging Battle Heats Up

Wednesday, February 22nd, 2012

On many of our blog posts, we have emphasized the importance of package appeal and the importance of creating imagery and design that speaks to your brand. Strong package design has historically made a big influence on how well a product sells. Earlier this year, we wrote about the current battle taking place with the British Government vs. tobacco companies (read the post here) regarding the use of plain packaging. An update on the conflict has been revealed in recent articles released in England about the push for plain packaging and a report released supporting tobacco companies. So, we have to ask, do you think that plain packaging will have a negative or neutral effect on the sale of tobacco products in England? Read the following information and let us know what you think.

plain packaging update Plain Cigarette Packaging Battle Heats Up

As the British Government continues to push law makers to enforce plain packaging on cigarette, a think tank hired by the tobacco industry says that there is no evidence that introducing plain packaging will lessen their appeal.

The Adam Institute, described as the UK’s leading libertarian think tank, recently released a report arguing that the plans will do nothing for public health and are “profoundly illiberal.”

As the Government sets to launch a public consultation on putting cigarettes in plain packaging so that all tobacco products look alike, the report sets to refute the Governments claims.

The Institute warned the policy would set a dangerous example as plain packaging could then cross-over to other products such as alcohol and fatty foods.

The report stated that there was no evidence that enforcing plain packaging would have any effect on existing smokers or the smoking rate, and no evidence that plain packaging would prevent non-smokers from become smokers. The reports also claims that there is no evidence to support the claim that the color and logos on a pack of cigarettes has any sort of influence on people who are choosing to take up the habit.

It also argued that in order for the Government to introduce plain packaging it would need to violate international trade rules and take possession of tobacco companies’ intellectual property. With this, the Institute claimed that plain packaging would encourage the illegal trade of counterfeit cigarettes with one in nine cigarettes around the world already fake. Counterfeit cigarettes often have two to three times the level of heavy metals found in legitimate brands, it argued, and the policy would be likely to boost the black market in the UK by offering cheaper cigarettes more likely to lure young and new customers.

The author of the report, Plain Packaging: Commercial expression, anti-smoking extremism and the risks of hyper-regulation, Christopher Snowdon, said:

“It is extraordinary that a Government which claims to be against excessive regulation should be contemplating a law which even the provisional wing of the anti-smoking lobby considered unthinkable until very recently.”

Many campaigners pushing for the plain packaging say the report is mistaken about the  overall goal of the policy, which is to protect young people from tobacco marketing.

Studies suggest that branding cigarette packs makes them more attractive to young people, as manufacturers try to attract new smokers to replace the 100,000 who die every year in the UK.

Deborah Arnott, chief executive of Action on Smoking and Health (ASH), responded to the report stating:

“Why would the tobacco industry and its allies be so vehemently opposed to plain packaging if they weren’t so frightened that plain packaging would work?”

And the Grammy Award for Best Boxed or Special Limited Edition Package Goes to…

Wednesday, February 15th, 2012

With the 2012 Grammy Awards behind us, we thought we would take time to reflect on a win for packaging. Did you know that they gave away Grammy’s awards for best packaging? The Grammy Award for Best Boxed or Special Limited Edition Package has been handed out since 1995.  From the year of its introduction to 1997 the award was known as Best recording Package – Boxed. From 1998 to 2002 it was known as Best boxed Recording Package and in 2001 the Academy came up with the currently used title, Best Boxed or Special Limited Edition Package. This year, Bruce Springsteen’s boxed set won the Best Boxed or Special Limited Edition Package award at this year’s Grammy Awards.

darkness on the edge1 300x200 And the Grammy Award for Best Boxed or Special Limited Edition Package Goes to...

The packaging was designed for a six-disc box set that was titled The Promise: The Darkness on the Edge of Town Story. The six-disc set was created by art directors Dave Bett and Michelle Holme and includes six hours of film, more than two hours of extra audio, four hours of live concert footage from the Thrill Hill Vault, and an 80-page book of images from Springsteen’s notebooks at the time of the album’s recording.

Congratulations  were given to the designers by the Boss himself as he tweeted:

tweet And the Grammy Award for Best Boxed or Special Limited Edition Package Goes to...

Springsteen was up against others for the Grammy which included:

‘The King Of Limbs’
Donald Twain & Zachariah Wildwood, art directors (Radiohead)
[ATO Records]

’25th Anniversary Music Box’
Matt Taylor & Ellen Wakayama, art directors (Danny Elfman & Tim Burton)
[WB]

’25 Years’
James Spindler, art director (Sting)
[A&M Records/Cherrytree Records/UMe]

‘Wingless Angels – Deluxe Edition’
David Gorman, art director (Wingless Angels)
[Mindless Records, LLC]